“When I reunited with my Korean family, and finally learned the whole truth from Omma’s letter, it was like an implosion for me. There wasn’t so much a motivation as a need greater than breathing. It was like bleeding. Writing wasn’t something I wanted to do, it was something I could not stop myself from doing. Finishing wasn’t a goal, it was a necessity.”

Soojung Jo was three years old when she was adopted from Korea by a Kentucky family, and 37 years old when she learned the truth of her history and identity. Along the way she graduated from West Point and served in Korea. She became a mother to four children. And she has now written this powerful, evocative book. “Ghost of Sangju: A Memoir of Reconciliation” is important for the adoption community. It’s bigger than that, though, because it’s a fascinating story, with powerful emotions, hard decisions, warmth, confusion, candor, love, discernment, and hope.

More information is available at Gazillion Strong, including purchase information and Book Club questions. A new review by Mila Konomos at Lost Daughters is available here.

I had the pleasure of interviewing Soojung about “Ghost of Sangju,” about writing, and about adoption.

Soojung, what writers inspire you? What books are you reading now? 

I’m borderline obnoxious about my passion for reading! As a writer, I’ve been powerfully influenced by some particular books that I think everyone must read: John Steinbeck’s “The Grapes of Wrath,” Karl Marlantes’s “Matterhorn,” Adam Johnson’s “The Orphan Master’s Son,” Barbara Kingsolver’s “The Poisonwood Bible,” and Alexandre Dumas’s “The Count of Monte Cristo.” Also I love Hemingway’s voice, and I’m a shameless Stephen King junkie!

As for what I’m reading now, I always have a book on Audible, one or two on Kindle, and a hard copy in work. I’m listening to “A Tree Grows in Brooklyn” (Betty Smith), just finished “Americanah” (Chimamanda Ngozi Adichie), and just started “The Secret Wisdom of the Earth” (Christopher Scotton).

What was the writing process like for you? What motivated you to write, and to finish, your book?

There was this accumulation of all the experiences and my primal but unexpressed emotional responses to them: being taken from my Korean family and country at age 3, my Kentucky childhood, the West Point experience, returning to Korea in the Army, becoming a mother biologically and then through adoption. When I reunited with my Korean family, and finally learned the whole truth from Omma’s letter, it was like an implosion for me. There wasn’t so much a motivation as a need greater than breathing. It was like bleeding. Writing wasn’t something I wanted to do, it was something I could not stop myself from doing. Finishing wasn’t a goal, it was a necessity.

The writing process was evolutionary. Although I had this story fighting its way out of me, I forced myself to be patient and learn a little about writing a full-length book. I read “Bird By Bird” (Lamott), “On Writing Well” (Zinsser), “On Writing” (King). I read interviews with memoirists I admired: Jeannette Walls, Frank McCourt, Cheryl Strayed. I reflected on what elements made the most powerful memoirs work. All these pointed to the same themes: Write without inhibitions, and then edit ruthlessly. Truth is the goal; nothing less will do. These rules sound basic, but they are far from easy. Do you know how hard it is to make one sentence flow into the next? To remove half the flowery words you’ve crafted into something that felt like a masterpiece but reads like a legal document? Even this interview should probably be edited at least five times just to make it readable.

But the most difficult aspect of good writing is achieving truth. Being honest. Sifting through the difficult layers and offering the ugliest parts of yourself to the story. Everything has already been thought and said in this world, so why should anyone care what I have to say? The answer is this: the truth is always compelling. A true, open story from a real and vulnerable storyteller always resonates.

Absolutely. What’s your next/current writing project?

Actually, I’m not writing at the moment. This book seared its way out of me, and I think I’m recovering a bit from it. I would hope everyone could experience something so consuming yet cathartic in their lives as this book was for me.

I said in my review of your book that I took breaks while reading it, given the poignancy of your search for your Korean family. International adoption is at a volatile, critical juncture right now, in South Korea and around the world. How does “Ghost of Sangju” fit into the complexity?

You are right—international adoption is having a pivotal moment, and this is largely due to the fact that a critical mass of international adoptees have grown up and spoken our truths. We have voices and we won’t be ignored. We are varied, complex, and our experiences and opinions range across a full spectrum. Mine is only one story, but it’s a challenging one that needs to be told because it shatters many traditionally held views. I hope that, without having to over-explain these complexities, readers will experience them as I did through my writing.

If readers come away from this book with an expanded view of what is really happening in international adoption, and an appreciation for the complexity of having lived through international adoption, then I’ve done my job as a writer.

How have your family members reacted to the book, as well as to your search and reunion?

Maureen, I don’t really know. I know what they tell me, but I don’t believe their words really touch on their true reactions. In words, they show support and love. But I’m not the only one in this crazy life going through complex, dissonant emotions about this. I can only imagine how my parents have worried, have regretted, have feared, and have wished that my story had been as straightforward as the agency had promised them almost 40 years ago. I’ve done my best to be sensitive to what they’re going through, but it’s not easy.

No, it’s not. Adoption can be complicated  If you could change policies and practices in international adoption, what would you do?

This is such a difficult question. I have many adoptee friends who are activists, but honestly I am not cut out to talk policies and practices. I know many others who are. I know things need to change, because so many elements of my own story still happen today and that’s unacceptable. I can’t say with authority what should be changed in policy. That’s not what my voice contributes. Instead, my voice speaks of little known truths and buried secrets, and I hope to use this voice to change hearts. Maybe those changed hearts can contribute to changed policies and practices.

I hope that too. What have you learned about yourself, about life, in the process of writing the book? Not so much the factual information as the perspectives, awareness, priorities.

Maureen, I learned so much in writing this book. This was no intellectual exercise! The first few revisions, I stuck to a story that I thought was acceptable. It was a bland, diluted version of my truth and it was terrible. My early pre-readers, my counselors and cheerleaders, asked, “Soojung, this is beautiful, but it isn’t you. Where are YOU in this story?” They asked me this question gently and often enough that I began to wonder myself, where am I in this story? That’s when the real work began, the work of digging into the most real parts of myself, my life, and my emotions. I had to let go of so much fear of showing this awful, beautiful story in all its grittiness. I learned that I, too, am gritty. I’m raw. I have so much strength and weakness and they terrify me, but they are real and therefore they are worthy.

The bland version of my memoir was okay, people liked it well enough, but the real version was amazing and people have responded so deeply to it. Likewise, the bland, pleasing version of myself is okay, but the real version is so much better. Does this mean I’m capable of being this true in real life? No, but at least I know it’s possible. It’s aspirational.

What would you like readers to take away from reading “Ghost of Sangju”?

Although the story is rooted in international adoption, there are universal themes of family, identity, and parenthood that I think all readers can connect to. I want readers to gain an understanding of a life that most probably haven’t lived. I also want readers to appreciate and respect the complexities of being an adoptee, especially international and transracial. I want readers to learn, and to feel less alone.

Many thanks to Soojung Jo for this conversation. Congratulations on the publication of “Ghost of Sangju.”